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Take the Lead - Ballroom Dancing in the Ghetto
Directed by Liz Friedlander
Written by Dianne Housten
First billing:
Antonio Bandera
Alfre Woodward
Rob Brown
Ya-Ya DaCosta

First of all it is a very entertaining movie, it's always fun to see talented dancers dancing to good music and making it look easy. It's easy to see why ballroom dancing has reared it's flamboyant face in the past few years in cinema and in dance lessons over the globe.
Antonio Banderas was great (and pretty as always), but then he's very talented and can do practically anything so long as his character speaks with a Spanish accent.
The movie was full of pretty people (Ya-Ya DaCosta, Rob Brown and Katya Virshilas) and positive body images (no one told the larger school kids they needed to lose weight in order to dance).

"Take the lead" was a very Hollywood looking attempt to show that all disadvantaged kids need in order to escape the Ghetto is to apply themselves and get motivated about something. It completely disregards the vicious cycle of poverty, abuse and bad education thrust upon these children that was thrust upon their parents, grand-parents by a White society bent on keeping it's Coloured members subdued.
The film, while showing off the talent of these "poor coloured kids" implies that they would have never been able to tap into that pool of potential of it weren't for the White French-Spaniard who came to save the day.

The most talented dancer in the picture (in my opinion) is not only white, she is blond, blue eyed, tall and an Aryan ideal, despite the fact that everyone in the film danced beautifully, the Aryan chick danced the best, Antonio Banderas showed her off as something to aspire to, she is what we must be; Tall, blond, thin and White.

I suppose I am looking too deeply into this very light, commercial flick, but since I am unable to view any form of media without instinctively searching for social implications that's what I came up with.

A good, fun all rounder - if you like music and dancing, this is a great movie, if you like, music, dancing and are of like mind as I and cannot help but search for social injustices, it's fun while it lasts.


Kinky Boots - Real Men Walk in Stilettos
Directed by Julian Jarrold
Written by Geoff Dean & Tim Firth
First billing:
Joel Edgerton
Chiwetel Ejiofor
Linda Bassett

Classic story of Fathers, Sons, the relationship between men and women and between men and men.
The plot was too classic, boy grows up, leaves town and disappoints father, father dies, boy takes over business, only business is not as good as boy thought.
So, in essence, he goes to London in order to be inspired and nothing inspires the straight laced, oxford shoe making boy more than a blood red stiletto heal. Worn by a 5'10 tall drag queen.

So funny, the situations Northampton boy gets into with London drag queen. Lola/Simon is especially good, it seems that all the best actors become drag queens at some point in their careers (Dustin Hoffman, Robin Williams, Hugo Weaving, Patrick Swayze, Wesley Snipes and more), he was just so spot on.
We also see the old prejudices Trans' people have to deal with, especially from the so called enlightened allies.

"Kinky Boots" is based on a true story, of a shoe factory moving from the aged old tradition of Oxford shoe for a specific kind of man (a "man" who doesn't really exist anymore, or at least has evolved beyond the Oxford look) to a different kind of man (some of whom would be offended to be called so).
Tran' issues are getting more and more publicity and I think it's great that they are showing such a positive angle on Tran' visibility, that they are not side show freaks as they are so often depicted in the media and that they are in fact individuals, consumers in the market.
And in our consumerist world there is no better way to show it.

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Eumelia

January 2020

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V and Justice

V: Ah, I was forgetting that we are not properly introduced. I do not have a name. You can call me V. Madam Justice...this is V. V... this is Madam Justice. hello, Madam Justice.

Justice: Good evening, V.

V: There. Now we know each other. Actually, I've been a fan of yours for quite some time. Oh, I know what you're thinking...

Justice: The poor boy has a crush on me...an adolescent fatuation.

V: I beg your pardon, Madam. It isn't like that at all. I've long admired you...albeit only from a distance. I used to stare at you from the streets below when I was a child. I'd say to my father, "Who is that lady?" And he'd say "That's Madam Justice." And I'd say "Isn't she pretty."

V: Please don't think it was merely physical. I know you're not that sort of girl. No, I loved you as a person. As an ideal.

Justice: What? V! For shame! You have betrayed me for some harlot, some vain and pouting hussy with painted lips and a knowing smile!

V: I, Madam? I beg to differ! It was your infidelity that drove me to her arms!

V: Ah-ha! That surprised you, didn't it? You thought I didn't know about your little fling. But I do. I know everything! Frankly, I wasn't surprised when I found out. You always did have an eye for a man in uniform.

Justice: Uniform? Why I'm sure I don't know what you're talking about. It was always you, V. You were the only one...

V: Liar! Slut! Whore! Deny that you let him have his way with you, him with his armbands and jackboots!

V: Well? Cat got your tongue? I though as much.

V: Very well. So you stand revealed at last. you are no longer my justice. You are his justice now. You have bedded another.

Justice: Sob! Choke! Wh-who is she, V? What is her name?

V: Her name is Anarchy. And she has taught me more as a mistress than you ever did! She has taught me that justice is meaningless without freedom. She is honest. She makes no promises and breaks none. Unlike you, Jezebel. I used to wonder why you could never look me in the eye. Now I know. So good bye, dear lady. I would be saddened by our parting even now, save that you are no longer the woman I once loved.

*KABOOM!*

-"V for Vendetta"

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