eumelia: (Default)
I'm having second thoughts about admiring Amanda Palmer these days.

Ironic. You keep using that word, I don't think it means what you think it means.

You know, I like Lady Gaga and AFP for many of the same reasons.
Both have a lot to say about a woman's condition in the spotlight.
Both are open about their bisexuality, which for this queer, is awesome.
Bot perform in over the top costumes, make-up and live!

Their styles are different, Gaga is unashamedly pop-and-plastique, AFP is wonderfully indie-and-dark.

Gaga is all about glitz and glitter.

AFP is all about powder and pastiche.

Gaga has done crip-drag and AFP has done crip-drag.

I've yet to hear Gaga utter a disparaging word againt a fellow artist and performer like AFP has done.

I'm really disappointed in AFP.

I don't know what I'm going to do now.
eumelia: (Default)
I do not follow music news that closely, or often. Usually, I'm surprised when an album by and artist I like has come out.
It feels as though the world is being nice to me.

In addition, I'm a fan of the music. The public persona of artists that I like, don't interest me that much. If I hear about them, as the people they are, it's usually in some award capacity, some new relationship or if they've done something extraordinary.

(That's the reason I couldn't ignore Lady Gaga, she was just creating huge amounts of discussion and her music was fun. So now I like her. Yes, I know there are issues with her persona, presentation and performance...).

This entry is about Amanda Palmer. Who is one of those artists I would listen to anything she put out. I've been a fan of her (and Brian Viglione) for years. The day I heard "Girl Anachronism" I knew The Dresden Dolls were a duo for me.
Their musical style appeals to me, I like piano-rock and thrashing drums, their aesthetic turned me on a little (Yes, I have a crush on the Emcee from "Cabaret") and their exploration of the uncanny through their music, imagery and recall of the 1920's in Europe made for a winning combination.

When Amanda Palmer went solo I was a bit weary, unsure if she would manage to have the same energy without bouncing it off another person.

I love "Who killed Amanda Palmer?" - the kooky reference to that uncanny and weird of all teevee shows ever aired (Twin Peaks, in case you missed the reference) must have appealed to even more fans who had heard of The Dresden Dolls.
Her photography books accompanied by Neil Gaiman's gorgeous craft of horror, macabre and morbid was absolutely fantastic.
I think Amanda Palmer made a wonderful critique on the visuals of violence against women, the photographs made me twitchy, because she was very attractive in them...
She was also dead.
What does that mean, that I found her arousing as a dead body? It made me ponder.

I'm also second guessing myself and my reactions due to her latest project; a co-operation with fellow artist Jason Webely, in which she and Webley are producing an album which tells the tale of musically inclined conjoined twins known as Evelyn Evelyn.
I've not heard any of the music yet, so I shan't comment on the artistic merit of the music.
I will, however, voice my disappointment in the way Palmer and Webley decided to tackle this piece of performance art.

I had first heard of the Evelyn Evelyn project via the (truly amazing) site FWD - Disabled Feminists, in which Annaham wrote a critique, voicing concerns regarding the ableism1 in this project. Cut for length )

I'm really sad about this. I ♥ Amanda Fucking Palmer a lot. I'm listening to her album as I write this.
I'm truly and honestly torn about this.
I really, really hope they manage to fix this debacle up, by not dismissing their disabled critics, that fans be aware of the issues arising from this project and that I can go back to admiring her without her entitlement and prejudice colouring her music and art for me.

I doubt that is going to happen though.

This is my *sad face*

1) For whom this is a new term (it is for me still, I'm very much out of my depth when it comes to speaking about accessibility and disability), it is a term used to describe the discrimination and prejudice towards disabled people in society - we're all (or should be) familiar in how inaccessible certain places are for wheelchairs, how there are usually no visual aids for people who are hearing impaired, etc. etc. I really recommend FWD - Disabled Feminists in order to gain awareness and learn more about how the world favours able-bodies people.

2) It's not directly stated, but it's quite easy to infer that the twins, Evelyn Evelyn, are Amanda Palmer and Jason Webley in costume. The whole project is a conceptual performance art thing. Very likely, due to a desire for veracity, Palmer and Webley are simply "producers" and not "performers". The twins are independent personas people attached (seriously no pun intended) to the project in order to promote the album and show.


eumelia: (Default)

June 2015

 12345 6

V and Justice

V: Ah, I was forgetting that we are not properly introduced. I do not have a name. You can call me V. Madam Justice...this is V. V... this is Madam Justice. hello, Madam Justice.

Justice: Good evening, V.

V: There. Now we know each other. Actually, I've been a fan of yours for quite some time. Oh, I know what you're thinking...

Justice: The poor boy has a crush on adolescent fatuation.

V: I beg your pardon, Madam. It isn't like that at all. I've long admired you...albeit only from a distance. I used to stare at you from the streets below when I was a child. I'd say to my father, "Who is that lady?" And he'd say "That's Madam Justice." And I'd say "Isn't she pretty."

V: Please don't think it was merely physical. I know you're not that sort of girl. No, I loved you as a person. As an ideal.

Justice: What? V! For shame! You have betrayed me for some harlot, some vain and pouting hussy with painted lips and a knowing smile!

V: I, Madam? I beg to differ! It was your infidelity that drove me to her arms!

V: Ah-ha! That surprised you, didn't it? You thought I didn't know about your little fling. But I do. I know everything! Frankly, I wasn't surprised when I found out. You always did have an eye for a man in uniform.

Justice: Uniform? Why I'm sure I don't know what you're talking about. It was always you, V. You were the only one...

V: Liar! Slut! Whore! Deny that you let him have his way with you, him with his armbands and jackboots!

V: Well? Cat got your tongue? I though as much.

V: Very well. So you stand revealed at last. you are no longer my justice. You are his justice now. You have bedded another.

Justice: Sob! Choke! Wh-who is she, V? What is her name?

V: Her name is Anarchy. And she has taught me more as a mistress than you ever did! She has taught me that justice is meaningless without freedom. She is honest. She makes no promises and breaks none. Unlike you, Jezebel. I used to wonder why you could never look me in the eye. Now I know. So good bye, dear lady. I would be saddened by our parting even now, save that you are no longer the woman I once loved.


-"V for Vendetta"


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