eumelia: (oy vey)
[personal profile] eumelia
Holy Shit in a Picnic Basket Batman Steven!

I actually don't know where to begin.

Oh, I know. Holy Shit Scott Caan!!!!! Will someone give this man an award already! Jesus effing Christ, this was beautiful!

I feel like I should re-watch the ep before I try to write something in depth about everything that happened in this very dense and layered episode.

My heart was breaking from the moment Danny saw and recognised the victim on the plane. Oh my word. His eyes were wet, his voice was shaky and my god, as the ep went on and the plot thickened there was actually a smidgen of sympathy for that creep - which, uh, reflects parallels I'll get into.

Indeed, let's talk about the characters, before we delve into the meaty parts of what made this ep so amazing - beyond Scott's acting, the really enjoyable editing and the emotional roller-coaster that was the plot.

Lori has a crush on Steve and Steve is so, so gay. Why yes, my slash goggles are firmly affixed when I watch H50, because nothing makes sense otherwise! Every time they put focus on Lori's crush I kind of feel bad for her, because Steve is either oblivious or ignoring it. Either way, it's a one way street as obviously Steve considers her a co-worker and jogging buddy.

Steve is so in love with Danny, because my heart clenched when I saw his face as he heard the message Danny left on Rachel's voice mail. A voice mail from a few months ago.

Danny has been in a bad place since the end of season 1. His arc has been subtle and chronic, as opposed to Steve's which has been above the board and pretty acute - I mean, torture is pretty fucking acute.

I felt that the previous ep, with the birth of Rachel's baby, was a pretty good resolution to that story. It was more that I expected frankly, but it happened and it was a beautiful rendition about fatherhood and Danny being there for Rachel and for Stan (Grace, you'll agree, is a given).

In this ep, we have a kind of regression, because it really digs up various issues that are dragging Danny down and have made his life utter crap the past few months (beyond the objective problems of being evicted, having his personal life in shambles and having his BFF - Steve - getting mixed up in lose/lose situations regarding his own life and history) and we've seen him not even bother give lip service to procedure like he did in seasons 1.

Danny has behaved badly all season (live grenade in a perp's hand! WTF!) and in this ep his brutality escalates (he drowns a guy) due to personal feelings and commits a federal crime in order to speed up the investigation. In essence, Danny has become a corrupt cop. Or, you know, was one all along.

Like Rick Peterson.

It's fascinating that the show went there. That it was willing to not only humanise Rick (his wife left him, his son hates him and he can't let go of his previous life) but to create a very clear parallel between him and Danny.

Danny's emotional roller-coaster was ours throughout. My heart was in my throat the whole time. His aforementioned shaky voice, wet eyes and his unabashed begging compelled me, they really did. They all touched on narrative kinks that have been building throughout the season. It being under duress made it all the more heart breaking, of course.

The whole thing came to a head when Danny and Stan stood in front of each other. Danny saying he was doing it for Grace and Stan nodding at him, understanding. Those two men have a bond now, not just because of Rachel, but because they are fathers for each other's children - I have no doubt Danny would lay down his life for baby Charlie, just as Stan lay down his life for Grace.

Danny and Stan do what they must to save Grace as two men within a mutual family - it's very unusual to see, moreover, it's unusual to see this type of fraternity between two men who are supposedly vying for the same woman, the same child. Usually it is a territorial struggle. In this episode it was subverted to a degree that made the whole nuclear family structure seem to break down and build up in a new way.

This is part of what makes H50 so beautiful, and even original, narratively. Yes, Danny loves Rachel, but his heart his big enough to contain multitudes and while I have no doubt he will always love Rachel, I think he knows to step out of the way of hers and Stan's relationship - after all, Rachel ran to Stan after Danny shot him.

On the slash side of things, I can see Danny leaving that message on Rachel's voice mail before everything that happened in North-Korea. And once again, Danny chose to save Steve rather than do what needed to be done in order to be with Rachel, just like in the season 1 finale. This is a slash reading, but this is canon and can't be put aside. Rachel made a choice, so did Danny. And they're the right ones all around.

Not to mention, Steve running around like a headless chicken doing his best to help Danny. I wasn't shocked when Danny shot Rick, but everyone else was surprised by how matter of fact he was, weren't they?

Intense, to say the least.

Of course the final scene with the team watching Danny reunite Grace with Rachel, was a layered tableau of what Danny had, could have had and currently holds.

As a commentary regarding Danny's change through the two seasons it struck all the issues Danny had and has pent up regarding his family (which includes Rachel's nuclear family, the Five-0 team and Steve in particular) and really brought to the forefront how much Danny has kept inside.

For someone who talks a lot, he really doesn't say much, does he.

Date: 2012-02-09 05:06 am (UTC)
silveradept: A kodama with a trombone. The trombone is playing music, even though it is held in a rest position (Default)
From: [personal profile] silveradept
I watched this episode and wondered if they'd gone back to their first-season writers, because this episode was so very good with Danny. I kind of thought the bit with Lorie at the beginning was bolted-on to the actual episode plot.

Now I understand why I was getting that uneasy feeling about Danny and worrying that he was going off the reservation in the last couple episodes.

And yet, at the end, he didn't go a full Steve and actually kill the person he wanted to kill right at the beginning. Perhaps there's still some shred of humanity left in him, related to the fact that he has Grace, Rachel, Charlie, and Stan.

Date: 2012-02-10 07:27 am (UTC)
silveradept: A kodama with a trombone. The trombone is playing music, even though it is held in a rest position (Default)
From: [personal profile] silveradept
Danny's the example of the person who talks a lot to hide the fact that he doesn't talk all that much. Makes me wonder if his by-the-book cop-ness was a similar way of being involved without getting too attached. Which has happened anyway.

Date: 2012-02-10 08:46 pm (UTC)
silveradept: A kodama with a trombone. The trombone is playing music, even though it is held in a rest position (Default)
From: [personal profile] silveradept
That's actually pretty interesting. Nobody in Five-O ever appears to have any qualms about the legality of their actions or whether what they do would hold up in court. It seems to be a staple of many of these cop shows (with the exception of Blue Bloods in the CBS lineup), but it seems like the new cop shows, and Five-O in particular, are more casual about the scope of brutality they brush off without a worry.

Maybe they justify it by having ex-military people heading the teams?

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Eumelia

January 2020

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V and Justice

V: Ah, I was forgetting that we are not properly introduced. I do not have a name. You can call me V. Madam Justice...this is V. V... this is Madam Justice. hello, Madam Justice.

Justice: Good evening, V.

V: There. Now we know each other. Actually, I've been a fan of yours for quite some time. Oh, I know what you're thinking...

Justice: The poor boy has a crush on me...an adolescent fatuation.

V: I beg your pardon, Madam. It isn't like that at all. I've long admired you...albeit only from a distance. I used to stare at you from the streets below when I was a child. I'd say to my father, "Who is that lady?" And he'd say "That's Madam Justice." And I'd say "Isn't she pretty."

V: Please don't think it was merely physical. I know you're not that sort of girl. No, I loved you as a person. As an ideal.

Justice: What? V! For shame! You have betrayed me for some harlot, some vain and pouting hussy with painted lips and a knowing smile!

V: I, Madam? I beg to differ! It was your infidelity that drove me to her arms!

V: Ah-ha! That surprised you, didn't it? You thought I didn't know about your little fling. But I do. I know everything! Frankly, I wasn't surprised when I found out. You always did have an eye for a man in uniform.

Justice: Uniform? Why I'm sure I don't know what you're talking about. It was always you, V. You were the only one...

V: Liar! Slut! Whore! Deny that you let him have his way with you, him with his armbands and jackboots!

V: Well? Cat got your tongue? I though as much.

V: Very well. So you stand revealed at last. you are no longer my justice. You are his justice now. You have bedded another.

Justice: Sob! Choke! Wh-who is she, V? What is her name?

V: Her name is Anarchy. And she has taught me more as a mistress than you ever did! She has taught me that justice is meaningless without freedom. She is honest. She makes no promises and breaks none. Unlike you, Jezebel. I used to wonder why you could never look me in the eye. Now I know. So good bye, dear lady. I would be saddened by our parting even now, save that you are no longer the woman I once loved.

*KABOOM!*

-"V for Vendetta"

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