V: Ah, I was forgetting that we are not properly introduced. I do not have a name. You can call me V. Madam Justice...this is V. V... this is Madam Justice. hello, Madam Justice.
Justice: Good evening, V.
V: There. Now we know each other. Actually, I've been a fan of yours for quite some time. Oh, I know what you're thinking...
Justice: The poor boy has a crush on me...an adolescent fatuation.
V: I beg your pardon, Madam. It isn't like that at all. I've long admired you...albeit only from a distance. I used to stare at you from the streets below when I was a child. I'd say to my father, "Who is that lady?" And he'd say "That's Madam Justice." And I'd say "Isn't she pretty."
V: Please don't think it was merely physical. I know you're not that sort of girl. No, I loved you as a person. As an ideal.
Justice: What? V! For shame! You have betrayed me for some harlot, some vain and pouting hussy with painted lips and a knowing smile!
V: I, Madam? I beg to differ! It was your infidelity that drove me to her arms!
V: Ah-ha! That surprised you, didn't it? You thought I didn't know about your little fling. But I do. I know everything! Frankly, I wasn't surprised when I found out. You always did have an eye for a man in uniform.
Justice: Uniform? Why I'm sure I don't know what you're talking about. It was always you, V. You were the only one...
V: Liar! Slut! Whore! Deny that you let him have his way with you, him with his armbands and jackboots!
V: Well? Cat got your tongue? I though as much.
V: Very well. So you stand revealed at last. you are no longer my justice. You are his justice now. You have bedded another.
Justice: Sob! Choke! Wh-who is she, V? What is her name?
V: Her name is Anarchy. And she has taught me more as a mistress than you ever did! She has taught me that justice is meaningless without freedom. She is honest. She makes no promises and breaks none. Unlike you, Jezebel. I used to wonder why you could never look me in the eye. Now I know. So good bye, dear lady. I would be saddened by our parting even now, save that you are no longer the woman I once loved.
*KABOOM!*
-"V for Vendetta"
no subject
Date: 2006-09-11 06:11 pm (UTC)no subject
Date: 2006-09-11 06:19 pm (UTC)Thank you so very much, you have no idea how good that comment made me feel!
I wish I had a real editor, but the only one I know is my mom and, well, it just wouldn't work out since we differ in our tastes and opinions a whole lot.
Not to mention that I use the word fuck here and there and whatcha' gonna do sometimes you need it!
no subject
Date: 2006-09-12 09:01 am (UTC)Personally, I think your writing skill is not yet professional - though you're not quite in the amateur zone, either.
Organization is one of the major factors - on all levels: constructing the entire essay, each paragraph, etc. Also, your written language is still too spoken-style at times.
Journalist level? Sure, you can go up to standard journalist level easily enough. But is that what you'd call "good"?
no subject
Date: 2006-09-12 09:20 am (UTC)And I knew I could count on you for constructive criticism :) Thanks!
no subject
Date: 2006-09-12 09:34 am (UTC)And other than the "written too much like spoken" shtick, what could I improve upon?
no subject
Date: 2006-09-12 09:43 am (UTC)1. For each "point", introduce it first in a few sentences and only then discuss it. It would serve to make your essay more readable to non-pop culture people, but it would make it far easier on the pop-culture people as well.
The key example from your last essay would be the new batgirl. Faceless, mute - my curiosity totally went "Huh!?" over that.
2. Counterpoints. Totally neccesary. In your last essay, the counterpoints would be "Everything Joss Whedon" - and that has its own internal counterpoint, Willow. Now, the way your essay is put, it's not understood (a) why "Joss is good", and (b) why did he mess up with Willow. If you're making a point, even a counterpoint, introduce and discuss, even briefly.
I won't repeat what I already said. (Organization, and spoken/written dichotomy.) I'll add that you're definitely getting better - this latest essay was couple of levels above anything i've previously seen from you.
no subject
Date: 2006-09-12 09:48 am (UTC)"Huh!?" as in "What is she talking about?" or as in "What the f@#k are comic book people thinking!?"
this latest essay was couple of levels above anything i've previously seen from you.
Really? I really don't consider it my best, which was why I was surprised to see it elsewhere.
no subject
Date: 2006-09-12 09:52 am (UTC)This "point" can be many thing: you could be introducing a subject/field, in which case much detailing would be neccesary. You could be introducing a question in a field - I think that's what you tried to do with your discussed essay above. Or you could be making a point of your own - "This is what we already know; this is what I suggest, and why" - more in the style of a real thesis or paper.
What I meant that, you have to know what it is you want to say, and what kind of a say is that; and the text should be written to reflect that - and that means not just content, but just as importantly the organization of the text.
To learn how to do these things, just pick a good text and read it thinking "How did the author made her case comea cross?" - not trying to understand the "case" itself.
2. Sorry. I'm not very good with those things myself. I recognize them when reading, and I can usually tell when someone, or I, is going overboard, but that's about it.
no subject
Date: 2006-09-12 09:59 am (UTC)Your latest essay is couple notches above your previous ones for a couple of main reasons:
(1) Whoa, there's a point in there. In previous posts, if there was any what-I-want-to-say then it was lost in the disorganization. This is also why I refer to them as "posts" and this as "essay".
(2) Examples, details - not just general claims. These are part of the big differences between an essay, and ranting to your in-the-know friends.
(3) It had something resembeling a structure. "Joss Whedon is considered an example of positive femail representation. While this is generally true, there are examples of streotypical, negative female representation in his work as well. More than that: Joss Whedon's relative 'progressiveness' is a counterexample to the general tendency in pop culture." Then you presented quite many examples, including recent ones, and sealed off the essay by repeating the main point. (That femail characters are misrepresented in pop culture.)