eumelia: (not in rome)
Good morning. I've decided to try entering journal posts on the move, considering the fact that I'll be travelling extensively over the next two weeks. And yeah, I'll be taking my tablet Officer Kalakaua with me, I thought it would be fun to try to chronicle the vacation in long form and not just tweet randomly.

I don't know what my connectivity is going to be like, so this may all be for nothing, but it's worth a try.

I'm still laptop deficient, relying on my phone and tablet for most things, but seeing as my work is Internet based and the access to my mother's guest account on her desktop, I am most certainly not offline.

I do, however, miss the reliability of a pc. My tablet isn't capricious as all that, but the amount of DYAC that come from this little touch screen keyboard are too comical, not to mention that my go to websites tend to be a bit borked.

Still, it is a lot, I'm aware.

Here's to being around here more during my holiday!
eumelia: (coffee)
Hello my lovlies.

I'm writing this on my new fangled Tablet, l'm still not used to writing on this screen, but I'm sure I'll get the hang of it quite soon.

I've named it Officer Kalakaua, which is quite long for my goofy thumbs to type.

That being said I think I'll be updating here some more what with being more mobile.

:-D

See you all soon!
eumelia: (bullshit)
It feels like these things write themselves, honestly.

I read on twitter that the Livejournal com [livejournal.com profile] ontd posted a link to an article about what Famous Authors Have to Say About Fanfiction.

On the subject matter I can only go, oy; on which I will expand.

But the way I got to this article is interesting in it's own right. Fandom uses social media to interact with itself and with creators has made the audience, more than ever before, an active participant in the culture.

I don't think we've ever been passive consumers in any way; the whole "water cooler" concept that has been around for decades is proof of that. However, the fact that we have the option of really communicating with artists on a basic conversational level, thereby eliminating the class distinction between those who have access to creators of culture and those who do not (up to a point, just using a computer and the internet is class indicative) is something new.

Not to mention, the audience being creative and transformative in its own right.

We, as the audience, interact with art. It's a basic part of being human. Having, creating and interpreting culture.

Without an audience, the artists have no one to be bitches at.

When I read quotes from the likes of authors whom feel a kind of ownership over their characters because fanfic authors "steal them" and only the "original" authors have the "right" to abuse their characters (as JRR Martin put it) all I can do is sigh, regroup and remember that without me, as a reader, there would be no point to what they created. In an original fashion of course, because every author is never derivative.

I get that this is part of the whole "50 Shades of Grey" issue that seems to be plaguing the mainstream media.

The mainstream media doesn't know how to talk about active audience participation, transformative art (be if fic, art or vid) and it doesn't know how to talk about the fact that no work exists in a vacuum.

If there's something I've learnt in reading about "50 Shades of Grey", is that fandom is a culture and that being fannish is a way to participate in the world that not everyone gets, even if they are big geek or nerd or a reader of derivative fiction like "Pride and Prejudice and Zombies" or a watcher of shows like "Sherlock".

To read a book and want more than what the author wrote down is not a sign that we do not respect the author. The author, really, is irrelevant, because what we want is to interact with the words on the page. And it's not "the author is dead". They're not dead, but they are outside the work just like the audience.

What they meant and their intent is as optional as our own fannish head-canon.

Word of God is not canon. It exists outside the text, outside the show, behind the scenes.

As such, when articles like the one above writes:
While some authors support, or at least tolerate, the practice, others vehemently oppose it, citing monetary issues as well as feelings of personal violation and another sentiment that roughly translates to “if you were really creative, you’d make up your own characters.”


All I can say is, you do not own a work of art. You deserve to get paid for the work that you've done and I buy books and dvd's because I whole heartedly believe that creative work deserves to be recognised in a way that both credits and supports the creator, you do not have a say in the way I, my fellow fans or anyone else interprets your work, interacts with it or creates through it.

We are equal to you in our importance to the culture.

We also outnumber you.

[Entry #002]
eumelia: (diana disapproves)



{Take the 100 Things challenge!}


I've decided to go for bundles, ten posts about ten subjects over the coming months.

My problem, which subjects!? I already have two subjects I can expand on, but still. Dear readers, throw out your subjects, categories, notions and ideas at me! Some of them will probably stick!
eumelia: (not in rome)
So, hey, it suddenly feels like I'm on ALL the social networks, but I also feel like I'm missing out on talking to you peeps there!

I figured why not make a list of where you can find me!

[livejournal.com profile] eumelia on Livejournal.
[personal profile] eumelia on Dreamwidth.
[twitter.com profile] the_eumelia on Twitter.
[pinboard.in profile] eumelia on Pinboard.
[archiveofourown.org profile] Eumelia on AO3.
[tumblr.com profile] stillnotanonymous on Tumblr because "eumelia" wasn't available.

Let me know where you are! :D
eumelia: (stripey art)
All the writing I've been doing is pretty addictive. It has been a while since I was this moved and inspired to expand on the fictional world and lives of a far away locale.

One of the facets I enjoy exploring, and this is likely no surprise, are the lives of characters as LGBT and Queer, with that being the focus of the story. I'm very happy I'm not alone.

[livejournal.com profile] queer_fest 2012 in on! And they are seeking prompts up until the 15th of March, after which the claiming of prompts will commence from the 19th of March up until the 2nd of April. For more info and such read the 2012 rules and FAQs post.

I think a pan-fandom fest like this is hugely important, as it bring into focus, celebrates and examines the lives of the people we write about with a clear social and political context in mind. Very often we, as a fandom, are very blase about the context in which we write in, because after all, it's "just fantasy".

I think we all know it's more than that. Even if these people are fictional, where they come from and where they go, is not and that? That is so awesome.

Speaking of the non-fictional, my fandom is a buzz and I've not been unaffected.

It has been a long time since I was this involved in a fandom and had so much love and affection to the actors who bring life to characters I identify with so much and inspire me with their lives.

And so I say; a speedy recovery to you, Mr. O'Loughlin. I'm so sorry you've been having a hard time, I hope this is but a rough patch through smooth sailing from here on out.

Thank you, fandom, for being so decent and understanding. It's amazing to be a part of that.
eumelia: (Default)
I'm running a test to see who's reading my posts. So, if you read this, leave me a one-word comment about your day that starts with the third letter of your DW/LJ USERNAME. Only one word please. Then repost so I can leave a word for you. Don't just post a word and not copy - that's not as much fun!

My word is "mire", because I am slow going this morning.
eumelia: (coffee)
Ten reasons to stop apologising for your online life.



Transformative potential, is what she said.

I love that.
eumelia: (little death - thinking)
Yep still doing the challenge.

Day 2

In your own space, post a rec for at least three fanworks that you did not create. Drop a link to your post in the comments. See if you can rec fanworks that are less likely to be praised: tiny fandoms, rare pairings, fanworks other than stories, lesser known kinks or tropes. Find fanworks that have few to no comments, or creators new to a particular fandom and maybe aren't well known or appreciated. Appreciate them.


Here are three fics I rec. They're all very different, but they have one thing in common.

The Boy Who Spoke With Ghosts by [archiveofourown.org profile] AvocadoLove.

An Inception/The Sixth Sense crossover. It's a lovely interpretation of the characters and their interaction with each other. The eerie feel of The Sixth Sense blends all too well with the creep factor that was Mal in Inception. There's also a very special ghost there in a a yellow dress and she's the reason I'm rec-ing this fic. In Kid!fic the kid is usually alive but even dead, this little girl is a wonderful presence in the fic and great foil for the characters.

The Quiver and Cry of my Heart by [archiveofourown.org profile] Electric_Apple.

A Hawaii Five-0 fic. It's actually part of a series, but can be easily read alone, I read it before I knew there were other fics in this 'verse. It's a story about Steve being deployed and those he leaves behind. It's quite poignant in places, but I get teary eyes at the drop of a hat so what do I know. But I love the way Danny is a father here to a little girl he loves, because she's Steve's.
A very heart warming Kid!Fic all around.

A Ring in a Black Sea by [livejournal.com profile] basingstoke.

A Stargate: Atlantis/Torchwood crossover. I don't read Stargate, I've never actually even seen the show, but I read this when I was on a Captain Jack in alien worlds binge and boy, is Jack far away from Torchwood in this one. There's a slow build and I think if you don't know either fandom that well you can be confused a bit in the beginning (I was), but the world building is lovely, as is the interaction between Jack and Teylas, showcasing how alien they are compared to the Stargate and Torchwood teams.
It's a great depiction of a different kind of family, the kind we chose, and rearranges itself as life changes.
There's a kid in there, somewhere, for a good reason.
eumelia: (Default)
In an attempt to get more readers, because I think I'm worth it *swishes my fringe for my hair is short* and also, as a way to continue to grow out of the lurker mode I have been in the majority of my online fandom life, I've decided to participate in the Snowflake Challenge!



Day 1

In your own space, post a rec for at least three fanworks that you have created. It can be your favorite fanworks that you've created, or fanworks you feel no one ever saw, or fanworks you say would define you as a creator. Drop a link to your post in the comments.


I've written fic, none of which I consider good enough on any level. I can do better and with any luck you will see a bunch of it on the coming year.

What I am good at is analysis and fandom has always been a hotbed of analysis for me. I write meta. I write really good thoughtful meta and I think it's a somewhat overlooked participatory work when it comes to fandom.

So, here are three works of meta I think should have more exposure than they initially did:


The Consent Debate (LJ and DW).

This is probably one of the most important pieces of meta I have ever written. It was also one of the hardest, subject matter aside. I think fandom, as a space of creativity and as space of critical engagement with pop-culture that has a majority of women participants in it (whether they identify as feminist or not) have a responsibility to each other, as a community and as a culture and I think, this meta reflects that.
Seeing as I expect you to click on the links and read, I'll put there the warning I have in the body of the texts:
Trigger Warning: This post is about the narratives of dubious consent, non consent, rape, sexual assault, body autonomy (or lack thereof) in fanfiction and fandom, and what being triggered actually means.


Toeing the Line of Love ["Ha'i'ole" Meta] (LJ and DW).

A fandom specific meta. I have a few of those, but I think this is one of my best. I came into Hawaii Five-0 pretty late, I mainlined the show over the summer of 2011 and have been a participant (through meta, picspams and squee) ever since. This meta was kind of like me introducing myself to the fandom at large, because it is an elaborate analysis of the slash dynamics in the show and the nature of gender presentation in a more general sense. I think it's something that can be applied in general.
Also, there are pics of hot men and women in the body of the text and yes, I am so effing shallow.

Ruining the genre since the age of 7 years old (LJ).

I wrote this as response to one of the most sexist pieces I ever had the displeasure of reading. It was actually linked on Geek Feminism.org at the time. But I think it's worth reading now and again, as sexism in sci-fi circles is still too high and women, as creators and fans, are still far too marginalised.


If you like my meta (which, really, I think you should ;P) you can click on the "fangrrl commentary" tag for more. It's oodles of fun!

As per the challenge, the above (and others) are free to be remixed, podcasted, responded to, and more etc.
If you're going to do something, just let me know :)
eumelia: (vocation)
It's been... wow... two weeks.

This is also possibly the worst time to actually update because the majority of you, dear readers, are probably getting wasted on mulled wine and eggnog (I myself have been slowly stuffing myself with Sufganiot - that's doughnuts to you gentiles :P)

Much has happened since I wrote last and most of it is quite good, which, considering my last few posts is rather great and it's not so much that I've been AFK (even though that's also happened).

So, what has happened?

Well, uni is still boring and not really that enjoyable. I am loving this living with a roommate in my own apartment - even though my flat tries to periodically kill me with sparking electrical sockets, and flooding toilets and washing machines - but god, being accountable to no one nut myself and my ever decreasing bank account, is awesome.

Other great things is that being free of so called "adult supervision" is that I've been proactive about getting myself a network in my new city. So I've joined an academically inclined LGBT/Queer reading group with a focus on the theoretical prism of Homonationalism. Why yes, we are all Ivory Tower Leftist Gay Intellectuals - only we're poor, working outside of academia (we meet at the Feminist Community Centre "Isha L'Isha" which is Hebrew for "Woman to/for Woman") and are pretty pissed off about having "gay rights" used as a propaganda tool.

The coinor of the term "Homonationalism", Jasbir Puar is coming to Israel next month and yeah, I'm going to hear her speak. BDS is good for this shit, I tell you!

But the best thing about "Isha L'Isha" is that they have a library and archive for which they need a volunteer to catalogue and classify. Guess who's starting volunteering there next month?

Hells yes it's me!

In addition, I went to a volunteer recruitment meet for an organisation that sends LGBT people to schools, military bases, police stations etc. in an Education and Change capacity - where us LGBT's tell our "life stories" and then have a Q&A in order to broaden people's horizons and hopefully have younger or closeted LGBT and queer listeners know that we are out there and in the classroom.

I am slightly cynical, as is possibly evident, by the actual capacity for difference any of this makes, but hey, I'm an also an idealist in the worst possible way and I believe in exposure, truth and education.

I was contacted by the recruitment coordinator and they likes what I had to say at the meet (they're also desperate for volunteers) and would like me to continue on the path to building a "personal story" and volunteer once a month.

I'll let you all know what happens.

And those have been the past two weeks, along with gorging myself on oily foods and cake due to holidays and Nieces birthday parties.
eumelia: (Default)
I saw this over on a few journals, and I thought, why not?

The problem with LJ and DW: we all think we are so close, but really, we know nothing about each other. So I want you to ask me something you think you should know about me. Something that should be obvious, but you have no idea about. Ask away.

There maybe some subjects I won't answer, because you know, we all have our differing degrees of privacy and such, but I'll try to answer everything to the best of my abilities!
eumelia: (fangirl)
I am an admirer of those who use words. Those who convey a world Next Door as though I can walk by it and know I just need to reach out and be there.

Neil Gaiman is one of those word-smiths.

I don't want to rehash the incident, which you can read about here, as context is important and should be known, but for the benefit of those who haven't been in the conversation: See me rehash )

Now, my thoughts.

The biggest problem, beyond the obvious of Gaiman's Tweets (which is just a ghastly thing to do), is the implication of Gaiman's comment on Reese's blog post in which he apologised for his response in 2008 and continued to put his foot in his mouth by flippantly saying sorry to the Vikings and Norwegians who he may have misrepresented in the comment.

It is humour politics done very badly.

It is also a very Euro-centric mode of thought, that until the America's were settled by white people there wasn't anything there.

I myself am guilty of such thought, it's a white privilege thing (and not living in the North American continent thing as well, for some).

"A few dead Indians" is a bad turn of phrase. Very, in fact.
I ponder if Gaiman would ever make a Holocaust joke of a similar ilk, but then the only people I've ever heard make Holocaust jokes are Israeli Jews and not other kinds of Jews.

Sorry, derailing. It is however, the power of the joke. The notion that the issue is not important enough for anything other than a laugh. Historical narrative is complicated in what it includes, more so in what it excludes.

When I hear talk of America, my automatic knee-jerk thought is Discovery and not Invasion. This is because I am indoctrinated, period.

When I think of Gaiman and his treatment of America, I think of American Gods, in which he had a PoC (who I always thought was mixed race black/white, but later realised was native/white) protagonist who uses a name that is descriptive and not literal, in which the bloody history of American "immigration" (From the First Nations who cross the Bering Straight to the kidnapped Tribes from Western Africa to the Impoverished Farmers of Eastern Europe. And of course, his beloved Vikings) is detailed in the "interval" chapters found throughout the book between moments of the main plot.
The book is conceptually problematic in the way Spirit of America (The Buffalo Man IIRC) is framed, but I would argue that it's about the defeat of that spirit by the invading colonialist religions than anything else.
Sorta, a large point of the book is that the land itself is no good for the colonising gods, hence... the whole plot of the book.

It is Eurocentric, it's also self-indulgent in a way that managed to speak to a great many people who like the philosophy that Gaiman presents in his work overall.

Problematic yes, bad in and of itself, I don't think so.

Still, Gaiman uses his privilege as a famous author, as someone known to have a dry sense of humour and as a writer who has been known to write the Other to deflect this necessary criticism.

This is not about his knee-jerk reaction to the aforementioned posts regarding what he said in interviews, but regarding what he said about American history.

Writing this is difficult for me, you see I'm a fan. A huge fan. A fan who *squeed* quite a lot when I met him four years ago and I still admire his writing. Even when I heard about the premise of The Graveyard Book which is conceptually based on Kipling's The Jungle Book, I ate up the critique because I love being informed and thought that what Gaiman did in The Graveyard Book was truly brilliant - intertextuality is a kink of mine.

I also think it's important to know where authors and creators fall short. And it this instance, it is Gaiman.

It's disappointing and still... I feel a loyalty towards him. His work has inspired me, changed my way of thinking and is one of the reasons I managed to think about religion and faith more critically and in a way that satisfied me both intellectually and emotionally.
Meeting Neil was one of the best moments of my short life.

I always considered Neil Gaiman to be one of those authors who got things right, who wrote the world with a certain Truth. It is a talent that has garnered him great acclaim and fame. It helps that he himself is a pretty funny guy, self-deprecating but arrogant at the same time, a dry sense if humour that belies the notions of superiority he has about himself.

I always liked that kind of humour, it's uniquely British and makes me nostalgic about Black Adder, French and Saunders and P.G Wodehouse's Jeeves and Wooster (just to name a few, I could go on).
(Dear god, yes I know of the problematic dynamics in these programmes... I'm an Anglophile and everything that suggests. *sigh*).

But this is a fail and as a loyal and adoring fan I have to take this into account. I have to look at the works of this author, his words on and off the page and wonder, how is it that mainstream historical narrative (i.e. racist and elite oriented) is so pervasive that a the notion of genocide that continues to this day is viewed as nothing more than a cavalier utterance? That those deaths continue to haunt America and that the death of a Nation is an absence felt all the time, not only by those who survived the killings but by the cultural and narrative vacuum of that death.

Genocide lingers, either as an traumatic imprint or as the absence that I mention. There is more to this than "a few dead Indians" and European tombstones.

Oh, Neil...

I'll be paying attention to this. I may write some more.

*Waves*

Mar. 17th, 2010 09:02 am
eumelia: (dw rainbow)
So I have a bunch of new readers and I'm reading a lot of new people.

Gah.

I was going to write a long-ish post with all kinds of facts about me, like age, interests, fannish stuff, academic stuff, political stuff and other stuff.

But all the stuff actually piled up on me IRL so I haven't had the time to welcome people into this teeny-tiny corner salon on the outer edges of the interwebs.

So here's what I'm going to do.

I'm leaving the door open here for you all to explore, if you'd like to leave a note (i.e comment) about something you liked, something you're interested in opening up and expanding, anything, please do.
If not, just have a fun time lurking around :)

I'll probably have something of more substance up later this evening.

*runs out the door*
eumelia: (Default)
When I think about various discussions I've had with my parents regarding my political alignment (re: The Loony Left), I think about the fact that a former uni classmate of mine (who studied Psychology) said that they're probably sublimating their hostility regarding my queer factor onto my politics.

It's an interesting thought, one I wouldn't disregard, as it makes sense. Seeing as both my political alignment and me being not strictly straight are viewed by my parents as a rebellious phase.

Though honestly, having been "officially" out to my immediate family for nearly five years now1, you'd think the whole "phase" thing would be taken as, you know, my life.
Alas.

Seeing that I'm now on Semester break and my first exam is only this coming Sunday (as in, not today, yays) I had time.
I had time to watch a twenty seven minute video about Coming Out With Mom from a YouTube channel called The Beaver Bunch, which are a bunch of American LGBTQ peeps talking about what it's like to be LGBTQ and disseminating information.
Things I generally find none too shabby.
I've watched a few of the shorter videos... it's all very American, which isn't necessarily a bad thing, but the issues do not really correspond with my experiences.

In any event, that video I watched irritated me throughout. Because constantly, constantly there was this emphasis on time.
When you come out give your parents time.
Time to realise you're the same person you always were.
Time to realise what they hoped for you (that fantasy of who you are in their head) is not what they thought.
Time to learn mourn the life they thought you were going to have.

In the video one of "Beaver's" - Michel(le?) - is sitting with her mother and they're answering questions from viewers about coming out.

I was irritated by the closeness that I saw between them. Obviously, I was completely and utterly jealous.
Not because Michel(le?)'s mother had reached an acceptance with the fact that her daughter is gay, but the fact that they even shared that closeness. Read Moar F-List... Read Moar! )
eumelia: (Default)
Yes more on the Slash Debate. Yes, more.

I'm rapping my fingers at the screen here, getting irritated by the reiteration, upon reiteration that I'm seeing.

I've read the latest metafandom and linkspam and once again, I'm seeing cluelessness, carelessness, privilege and more identity erasure.

Stop it. Just, stop.
Cut for length, seriously )
eumelia: (Default)
I'm hoping this doesn't get me flamed or that I lose friends from my f-list. *sigh*.

A little anecdote if you please.

My BFF and I are very intimate with each other. We hug, we snuggle with each other. Our body differences make it easy for me to lie on top of hir without me being too heavy and hir softness make it extremely comfy for me to cuddle.

We are completely platonic. Zie's married and monogamous, we've known each other since we were in Elementary school (we're both in our twenties now) and a few years ago we sported a shaved head together.

Yes people thought we were a couple and we both acknowledge the fact that if we were on teevee we'd probably be Slashed (we'd make awesome characters, btw). Well, it helps that we're "canonically" queer I suppose.

Slash, as I've often said, is an interpretation of the text.

The whole debate regarding slash and m/m is coming off as a huge turf war. It really isn't who has the right to write what because honestly, people will and should write what they want.
The policing of identities (straight women writing gay men), while erasing identities (queer women, straight men) is irritating.

I haven't read every single post on [livejournal.com profile] metafandom and [community profile] linkspam because, dude, there are many.
Quite likely mine will get lost in the shuffle; after all I'm just another reader with an opinion.

A few issues rise from this debate;
#1 That these women misrepresent men, because they're in fact writing women (albeit with the men's bodies).
#2 That these women are appropriating an identity that isn't theirs by writing slash and pro m/m and don't take into account the history of that identity.
#3 That these gay men are policing women's expression of sexuality by demanding that they stop fetishising them.

I'd like to tackle these points one by one, I hope I manage: Click to expand )

There is no clear answer. Ignoring that there is hurt doesn't do any good. Ignoring the fact that this hurt is going in all directions is not good either.
The notion that m/m stories (gay or not, slash or not) are being marketed as a "women's genre" is what's problematic and identity erasing – so let's stop jumping on the fact that "straight" "women" are writing "gay" "men".

People and our quaint little categories.
eumelia: (Default)
I don't think my internet persona is that different from my RL persona.

The one-sidedness of blogging and not having to be considerate of interrupting someone or someone interrupting me makes me more eloquent online, it also stops me from being repetitive in the same paragraph - at times, during conversation, my mind can go blank and I struggle for a word which will either be in the other language I speak (the danger of bilingualism) or I'll lose both words because I'm trying to figure out which is more appropriate.

It's frustrating, and quite obviously I'm the only one who takes it badly because hiccups in conversation happen all the time! I'm not giving a presentation or reading a speech.
I'm not an orator.
Stuff happens.

That's not where I was going with this post.

Backing up. Ah, yes.
My persona.

People behave differently depending on the context and people in which they find themselves.

I can be very shy at times, which surprises people with whom I'm very gregarious.

I've been told my internet persona belies my niceness and charm. Because, yeah, I do try to be nice and pleasant and friendly. Even with people that I don't particularly like or get along with, if I'm in the vicinity I do my best so that everyone gets along.
Until I don't.
And as I know and been told:
"Mel, when you're mean, you're scary"
I am assertive and my voice can pitch in a way that can be grating and strident and makes people tell me to "tone it down" which makes me even more irritable and thus... well, you get the picture.

I suppose because the social niceties that I pull off so well and easily IRL aren't required for online interaction. I try to be respectful to any one I communicate with, there are exceptions of course, because when I people don't bother to keep their prejudices to themselves, I don't see why I should keep my opinions on said prejudices to myself as well.

I can be rude. I often am online. Assertion is read as aggression and you have to be clear in your writing because ambiguity is so easy to write unintentionally. Intentional writing will always carry a harder punch and more often than not, I don't pull the punches I write.

If you've met me IRL, you know I'm quite bubbly and babbly. That I'm bouncy and *squeeish* (something I manage to convey online at times, for sure) and that I'm loud and have no poker face.

I'm quite sure my online persona is just waaaaay more eloquent when it comes to talking about things that make me go *ARRRRGH* seeing as IRL, I tend to go *splurterscoughshriekBWUH!Eff-U Man!I-got-something-to-say!NO-I-WONT-BE-QUIET...* - this can also be what goes on in my head, because like many a family & friends gathering, many people say things that they believe are appropriate - like racial slurs (which I try smack down when I'm within earshot), sexist remarks (which are so pervasive in interaction as well) and homophobia laden comments (har har, oh yeah, you thought she was a man, that's fucking precious, har har) - and the situation calls for decorum, niceness and charm.

That bubble was bust a long time ago, but behaviour dies hard.

I come off strong.
I'm cool with that.

It makes me memorable.
eumelia: (Default)
Vampires have taken over our lives. They suck out time via books, television and film like no other supernatural beast ever could.

Why?

Because they look like people, like you and me, they can walk among us unknown and seduce us with their glamour, mystique and plain ole' attractiveness.
Vampires are always beautiful, those that ugly, do not need to be. We are attracted to the fact that they are excluded from daylight, that they are reflected only in the eyes of human (their prey) and to the fact that they are immortal.

They do not die.

We pass away and they pass on.

Vampires have reached a kind of peak of pop-culture popularity. Ten years ago when I was fourteen and obsessed with Buffy, I read Dracula, Interview with a Vampire and thought Bella Lugosi was the shit.
Vampires were awesome.

Now... they're poster boys for Abstinence.
Where have we gone wrong.
This glamour will make you click on the cut )
eumelia: (Default)
First of all Shana Tova! to whom in applies and have a good weekend to whom it doesn't!

The Shana Tova Video )

And now for the actual post.
Which is about the reckoning of our souls.
We have entered the Ten Days of Repentance, which honestly, mean didly squat to me(1).

It's not about my personal soul (which is an extension of the mind in any case).
It's about the fact that during these days, if I'm going to wax poetry, I can see the way that my country is going to go in the next year.

It is perhaps gauche to talk about politics in the midst of the High "Holy" Days, but this is my connection to being Jewish, which is kind of crummy when you think about it.

As I mentioned in my previous post, I have about ten tabs open as I write this about the Goldstone Report concerning Operation "Cast Lead", last year's winter assault on Gaza by the IDF.

I'm finding it difficult to come up with words when talking about the report itself. It's nothing we didn't know before, because a few months after the assault we heard the accounts of IDF soldiers who fought in Gaza during "Cast Lead".

Not to mention just the knowledge that before the assault the siege had been going strong for over a year, that along with weapons flour, canned goods and other necessities (like WATER) had been smuggled through the tunnels under the Gaza/Egypt border.
Just to remind, Hamas and other militant groups like Islamic Jihad had been firing at Sderot and the other towns and Kibbutizim surrounding Gaza for nearly eight years (and of course into the Gush Katif Settlements in Gaza itself prior to the Disengagement plan).

All this for a bit of history. And just to make sure everyone knows that Human Rights Violations and War Crimes came from both sides.

A big "however" coming this way; Israel was basically, and please forgive the metaphor, shooting fish in a barrel. Gaza is the most densely populated stretch of geography in the world (as far as I'm aware), using fly over bombs and white phosphorous over that kind of area with the intention of flushing out Terrorists who are hiding among the population, yeah, that's a great way of making sure you're preserving innocent lives.
No, no it is not, though I suppose that goes without saying.

Excuse me, I digressed and began reiterating the points I wrote during the actual assault.

What I really wanted to talk about is Israel's reaction to the report, which is to say, blatantly, "He's lying".
That's it.
Oh, okay, let's add in a few internal Antisemitic remarks like calling Goldstone a "salf-hating" Jew (only Jews call other Jews "self-hating", which I find so insanely irritating and angering. That in itself is Antisemitic of course, that Jews are so deficient in their morality and identification, that they "hate themselves").

I was told that Israel should have been proactive and put together a report of their own countering the UN Fact Finding Mission.
Which, yeah, on a purely rational level that is the thing to do, but honestly, I find it quite repugnant that anyone would suggest any country put together a Propaganda based report aimed at disputing the fact that a sovereign nation committed war crimes on a population that has been deliberately weakened and incarcerated in their own homes.

Hearing the cynical dehumanising discussion of how much better the IDF did in Gaza than in Lebanon two years prior. Saying that more of "Them" died.

Is that the way an ethical people speak and act? Are those the values upon which a democracy is based? Better it be "Them", than "Us".

The soul searching that we should be doing is coming to the realisation that we, as a nation, must end this debilitating Occupation, because beyond it being immoral to deny basic human rights to a population and keep them under martial law, it is bad for us, for me, as an Israeli, to have the undercurrent of violence and hatred course through the streets.

It will end in tears.

Also, how immature is it to call out to the nations to reject the findings, as though closing our eyes, ears and mouth will some how cause it to disappear.
There is also the implication, by denying the report, that all that happened in Gaza was normal and appropriate for anti-Terror and urban Warfare.

However, despite the growing weariness of Europe against Israel (which is of course completely Antisemitically motivated, duh!) the U.S will not be confused by the facts and will back Israel up.

This is far from over. This is not going to be bring the end of the Occupation. That's, unfortunately, a long way off, because economically speaking there is too much vested interest in continuing the Occupation and letting the Settlements expand, thus furthering the possibility of a two state solution from ever happening.

So, on these days preceding the Day of Atonement (in which I will not be fasting) I'll keep in touch on stuff relating to the report and perhaps tell you what other fun stuff is being said about the report.

Maybe some of it will be marginally entertaining and not cause me to grind my teeth.

Chag Sameach Friends, may this year be the best so far!


Notes:
(1)I'm not a religious person, I never was, I tried to be (both Jewishly and not) and really, in the end, it's all about the fact that I do not want, need or even think much of the authority of either an entity we imagined in order to comfort ourselves or those people who claim to know what the Omnipotent and Omnipresent Deity actually expects from us teeny, tiny humans whose lives are only significant to us and maybe to a few dozen more people.
I'd also like to add that I have nothing against people who believe in a deity, I really honestly do not care. Belief isn't the problem, imo. It's religion.
Back to text

Profile

eumelia: (Default)
Eumelia

June 2015

S M T W T F S
 12345 6
78910111213
14151617181920
21222324252627
282930    

V and Justice

V: Ah, I was forgetting that we are not properly introduced. I do not have a name. You can call me V. Madam Justice...this is V. V... this is Madam Justice. hello, Madam Justice.

Justice: Good evening, V.

V: There. Now we know each other. Actually, I've been a fan of yours for quite some time. Oh, I know what you're thinking...

Justice: The poor boy has a crush on me...an adolescent fatuation.

V: I beg your pardon, Madam. It isn't like that at all. I've long admired you...albeit only from a distance. I used to stare at you from the streets below when I was a child. I'd say to my father, "Who is that lady?" And he'd say "That's Madam Justice." And I'd say "Isn't she pretty."

V: Please don't think it was merely physical. I know you're not that sort of girl. No, I loved you as a person. As an ideal.

Justice: What? V! For shame! You have betrayed me for some harlot, some vain and pouting hussy with painted lips and a knowing smile!

V: I, Madam? I beg to differ! It was your infidelity that drove me to her arms!

V: Ah-ha! That surprised you, didn't it? You thought I didn't know about your little fling. But I do. I know everything! Frankly, I wasn't surprised when I found out. You always did have an eye for a man in uniform.

Justice: Uniform? Why I'm sure I don't know what you're talking about. It was always you, V. You were the only one...

V: Liar! Slut! Whore! Deny that you let him have his way with you, him with his armbands and jackboots!

V: Well? Cat got your tongue? I though as much.

V: Very well. So you stand revealed at last. you are no longer my justice. You are his justice now. You have bedded another.

Justice: Sob! Choke! Wh-who is she, V? What is her name?

V: Her name is Anarchy. And she has taught me more as a mistress than you ever did! She has taught me that justice is meaningless without freedom. She is honest. She makes no promises and breaks none. Unlike you, Jezebel. I used to wonder why you could never look me in the eye. Now I know. So good bye, dear lady. I would be saddened by our parting even now, save that you are no longer the woman I once loved.

*KABOOM!*

-"V for Vendetta"

Tags

Style Credit

Expand Cut Tags

No cut tags

Syndicate

RSS Atom
Page generated Jun. 23rd, 2017 03:20 am
Powered by Dreamwidth Studios